Meet the Maker: Kathy Hutton

Hi, my names Kathy Hutton, I’m a printmaker working out of my home studio in Wiltshire where I live with my husband and 3 girls.

In my work I combine many different printmaking techniques to produce my original one of a kind prints and I also run small group workshops teaching some of these techniques at my studio and for other venues in the South.

How & Where did you learn to print?

I studied Printed Textiles at Duncan of Jordanstone College of Art, Dundee many years ago with Printmaking as a support subject. This gave me a great grounding
in Silk screen printing but also a passion for all methods of hand printing.

When I graduated I went on to work freelance in Surface pattern design for Habitat, Heals and The Conran shop and later moved into a buying and product
development career, but I kept the printmaking up as a hobby in the evenings, always knowing it was something that I wanted to do more with in the
future.

Why Printmaking?

As a child I visited a local Art Gallery in Liverpool with my family and can remember trying silk screen printing for the first time; I was instantly hooked.
A few years later, my dad made me a basic mesh screen and we bought some fabric inks. Using stencils and hot wax I fashioned some simple designs. This
‘heath robinson’ DIY approach to printing has stayed with me and influences how I print in my home studio without much expensive equipment.

Where do you work?

I’m really lucky to have a fairly large studio space at my home. The previous owners built an extension designed as a summer room, It links to the house
but also feels a bit out on a limb, so actually it’s perfect. I’m still physically in the house which is important while my girls are so young, but
it feels very separate and the children don’t keep popping in!

The room as large windows on 3 sides, but doesn’t get much direct sunlight, making it ideal for working and teaching my workshops in.

Describe a typical day in the studio?

A typical day is tricky to pin down as my youngest daughter is still at home, so I currently only have 2 short school days without her around to work in.
Because of this, these days are pretty much reserved for a quick trip outside and studio time. My day would always start with tea, in fact many cups
of tea punctuate my day. Any orders that have come in will be packaged up, ready to go to the post office later.

I’ll try to get most of my printing done in the daytime so that I can check how the colours are looking against each other in natural light. A lot of drying
time needs to be factored in to printing as you want each colour to dry completely before layering down the next one; often I’ll have 2 or 3 different
prints on the go or I’ll use the in between time to plan and sketch out ideas. Having said that I’m not a great planner, I naturally seem to work more
intuitively, changing things as I go along. As each layer goes down I might get a feel that the print is shifting in another direction. I use coloured
pencils to help me work out my options as I’m going along and try to mix my inks to match.

I try to keep admin jobs and preparation such as cutting papers and stencils for the evenings when the kids have gone to bed. I’ll also try and do some
sketching in the evenings too as this really helps clarify ideas.

What inspires you?

Being out in the countryside is my main source of inspiration. I try to get out every day, I’ll often walk the short distance cross country to the post
office and combine the trip with a forage for plants that might inspire a new print. Being out in the open is normally when an idea will spark, often
from something that I may have passed or seen a thousand times. It could be the last leaf clinging to a branch, the formation of a seed head, a berry
or seed on the path in front of me; but on that particular day I see it in a different light and suddenly I know what to do, its like two thoughts
collide – right place, right time. I’m constantly picking up little nature treasures and stuffing them in my pockets, I’ve quite a collection now. 

Walking or running outside also gives me some much needed thinking space that helps to bring ideas that might have been bubbling away under the packed
lunches and laundry up to the surface to breath and sort themselves out! I always come back home feeling like my ideas have gained a bit of clarity
or direction.

Favourite printmaking product? 

As I use many different techniques, there are lots of products that I love, but if I had to choose just one it would be a tube of Caligo Safe Wash Black Ink

It’s the ink that I use for my mono-printed line work which forms part of almost every print I create and which has become my signature style. I love its
texture, consistency, its intense blackness and I even love the smell of it as I open the tube! It also helps that it cleans away with water or a wet
wipe even if I’ve been naughty and have left it out to dry for a day or two! 

Drawing with a mono-print line is where I feel most connected to my work. There’s a sense of freedom and spontaneity that comes with the fact that I’m
not in complete control of the marks that will be made. It’s this very loss of control that gives me the confidence to draw.


 

What have you made that your most proud of? 

The project that I’m most proud of is one that I did for a primary school a few years back. The school commissioned 4 prints to represent the school houses
named after the 4 villages that closed to create the current school. I worked with the children who made their own line drawings of the villages and
I used these drawings to create 4 large prints in the house colours.


Where can we see your work?

I sell online through my Etsy shop KathyHuttonPrints where I have one off prints and small runs of original prints. I also have a small online shop selling my botanical prints and sell my work and teach workshops at Nineteen, an artisan
boutique in Clevedon, Bristol.

What can we be seeing from you next?

I’m excited to be working on some new drawings that are already sparking ideas for a new series of prints which I hope to have ready this spring.

Do you have any advice for other printmakers?

For anyone just starting out, I’d say to be a little bit brave, start showing your work & put it out there. The creative community is incredibly supportive
and can offer so much advice and networking opportunities. Take things one small step at a time and keep believing in yourself.

Find more of Kathy Hutton’s work: 

Wesbite: https://www.kathyhutton.com 

Instagram: https://www.instagram.com/kathyhuttonprints/ 

Facebook: https://www.facebook.com/KathyHuttonPrints/ 

Twitter: https://twitter.com/hutton1kathy/ 

Pinterest: https://uk.pinterest.com/kathyhutton1/

 

Trip to Creativeworld in Frankfurt

Every year Shirley visits Creativeworld in Frankfurt to meet with manufacturers and suppliers and to see new creative products from around the world. This
year it was a group trip as Holly joined Shirley at the glorious hour of 3.30am last Sunday morning to begin our journey! 

Creativeworld is the world’s largest trade fair for art supplies so there was a lot to take in. Here are a few snapshots of the things we saw that inspired
us this year: 

Using Red Masking Film to Expose A Screen

When it comes to screen printing there are so many ways to create your image. You can cut paper stencils, use Drawing Fluid and Filler, create exposed
screens with hand drawn or computer drawn designs. Red Masking Film is a brilliant way of creating exposed screens. It’s transparent so can be used
to trace over perfectly fitting designs and holds together in one piece, even when out design is cut out, meaning islands and delicate parts stay in
exactly the right place. The red film blocks the UV light when exposing films.

This red film is now in stock in our shop! Here’s how to use it: 

When we cut our film the red areas left behind will be the areas that will eventually print. In this case, we want a positive fish shape to print.

Cut a piece of film a little larger than your image and use masking tape to hold it in place. 

The film is made up of two layers: a transparent acetate and a thin red film that peels off. Cut around the edges of your design and use the point of the
scalpel to lift off the thin red film. Your scalpel should not cut all the way through the transparent layer – you can use a sharp knife but don’t
press too firmly! Test on an off cut first to get the pressure right. 

Follow your design with a scalpel, peeling off the unwanted red areas as you go. 

You can cut into your design too, leaving islands of red unpeeled. 

When you’re finished, remove the masking tape and trim off any edges that still have unwanted red film.

Coat your screen with
sensitised photo emulsion in a thin, even layer using a coating trough.
Leave to dry in the dark.

Place your red film between the screen and the light source and expose for your usual amount of time (we use 5 1/2 minutes in our exposure unit). 

When your the time is up your image should be visible on the mesh. Wet both sides before washing out the soft, unexposed emulsion with a forceful hose
of jet wash. Now your screen is ready for printing!

When your screen is dry, tape your edges with parcel tape and mix your inks. We’re using a mix of several colours for one print, marbled together at the top of the screen.

Print with your screen and a squeegee at a 45 degree angle. If printing on fabric, use a slightly padded surface.

To make a screen using red screen masking film you will need:

Meet the Maker: 2017 Round Up!

If you’re not already a reader of our Meet the Maker blog series, you should grab a cup of tea and work your way through these fantastic interview posts.
We talk to printmakers and dyers every couple of weeks to find out how they make their work, where they get their inspiration and what advice they’d
give to fellow creatives!

Here’s a round up of all the Meet the Maker posts we featured in 2017:

Sue Brown – Collagraph printmaking – Sue will be teaching
Sketchbook Techniques and Collagraph with Lino in our studio in July!

Eric Gaskell – Intricate multi-block linocuts

Elizabeth Harbour – Combined printmaking techniques
including screen print and relief printing

Miesje Chafer – Screen printing onto fabric with vibrant
pattern and colour

 

Ian Swift – Bold, typographic screen prints

Sarah Hamilton – Contemporary, mid-century style screen
prints

Helen Murgatroyd – Linocuts and repeated images using
her own unique printmaking system

Pragya Agarwal – Delicate, nature inspired linocuts

 

John Coe – Founder, publisher
and designer of Pressing Matters Magazine

Jenny Sibthorp – Screen printed textile design 

Lennie & Co – Screen printed stylish kidswear 

Laura Danby – Bright, joyful screen prints

 

Sophie Chadwick – Textile designer and co-founder of
Seasalt

Kerry Day – Modern, plant-inspired linocuts

Hester Cox – Intricate collagraphs – Hester is teaching
Collagraph Workshops with us in June

Sarah Campbell – Hand painted textile design – Sarah
is teaching a weekend of workshops with us in May

 

Cath Bristow – Screen printer and community printmaker

Tom Boulton – Typographic designer and letterpress artist
– Tom is teaching a Letterpress Weekend with us in March!

Scarlett Rebecca – Surface pattern design and linocuts

We Are Mountain – Seaside influenced screen prints
and linocuts

 

 

…and our final Meet the Maker of 2017, Lucie Summers – Printed textile design and quilt making

Our Meet the Maker posts have already kicked off for 2018! See them all here

Which Inks Can I Use?

Knowing which inks to use for which printing project can be a minefield. There are different inks for screen printing, relief printing and intaglio. Some
can be used for more than one technique, some are only suited to one. Some can be used for printing onto fabric, some only for paper.

We’ve created a chart to help guide you when deciding which inks to use for which printing projects. These charts are based on the information from the
manufacturers and on our own recommendations based on our printmaking experience and experiments. 

Larger, printable PDFs of these charts can be downloaded here: Inks for Fabric and Inks for Paper.

You can find all of these inks on our website:

Akua Intaglio Ink

Caligo Safewash Relief Ink

Caligo Safewash Etching Ink

Cranfield Waterbased Relief Ink

Dye Na Flow

Essdee Waterbased Relief Ink

Fabric Screen Printing Binder (and Pigment Colours

Fabric Screen Printing Opaque Binder

Handprinted Fabric Paint

Hawthorn Stay Open Ink

Metallic Binder (and Metallic Powders)

Permaset Aqua Screen Printing Ink

Permaset Supercover Screen Printing Ink

Speedball Acrylic Screen Printing Ink

Speedball Block Printing Ink

Speedball Fabric Block Printing Ink

Speedball Fabric Screen Printing Ink

System 3 Acrylic Paint (with
System 3 Block Printing Medium,
Textile Medium or
Acrylic Medium

Thickened Procion Dyes (Procion dyes and Manutex)

Versacraft Ink Pads (large and
small)

 

Meet the Maker: Fran Wood

Hi, my name is Fran Wood and I’m a London based designer specialising in screen printing. I work from home, which is a small flat in central north London, where I live with my partner and son. I have worked in studios as both a graphic designer and textile designer, as well as working in education. My first practical experience of screen printing was on a short course three years ago, where I instantly fell in love with the process. So much so, I gave up my job to work part-time so that I could focus on creating and printing designs. I also set up an online shop called Fran Wood Design to give me an outlet to display and sell my work.

Describe your printmaking process

I start by doing sketches inspired by topics I’m interested in, such as vintage cat illustrations. I use Pinterest as an online scrapbook to collect images
and ideas for these topics. Once I’m completely happy with a sketch, I usually cut it from paper by hand. I then scan it to the computer and finalise
it in Photoshop. At this point the image is ready to be exposed to a screen, but I don’t have the space to do this at home, so I get them professionally produced. I’m now ready to print! For this I have a wooden board with two hinge clamps fixed to it at one end. I place this board on the kitchen table and use the hinge clamps to attach the screen to it.
I then place a piece of clear acetate to the board and attach it with tape on one side. I do the first print on to the acetate, as this allows me to
line-up the following pieces of paper correctly, by placing the first piece under the acetate and adjusting it so it’s in the right position for printing.
I use masking tape on the board, at the corners of the first piece paper, to mark where the next sheets should go. After printing, I clean the equipment
in the kitchen sink and shower.

How and where did you learn to print?

I learnt to screen print about three years ago, on a Saturday morning course at a local college. This course was great, as it was based on showing you
how to screen print at home. Once I’d completed the course, I thought I knew how to screen print, but soon realised after trying at home on my own,
that I had a long way to go! Over the past couple of years, there’s been much trial and error. I’ve watched a lot of You Tube tutorials and looked
at screen printing blogs for tips. I’m now at a level where I’m fairly happy with printing on to paper, but still feel there’s plenty more to learn.

Why printmaking?

Although I have a great love of art and design in all its forms, I’ve always preferred the results of images created by print. I especially love screen
prints, linocuts and woodcuts. There’s something incredibly magical about the process. I never tire of the moment after squeegeeing the ink through
the screen, then lifting the screen up to reveal the image transferred to paper.

Where do you work?

I work at home. I do the printing itself in the kitchen and I dry my prints wherever I can – on shelves, on a clothes airer, or any free space I can find.
I’ll definitely be investing in a print drying rack in early 2018! I have a desk and computer in the living room where I create the designs. It’s a
difficult space to work in because it’s so small, but I’ve managed to overcome this, as I love designing and printing so much. I hope one day to be
able to work in my own dedicated studio space.

Describe a typical day in your studio

I suppose that there isn’t a typical day as each one varies. For example, in the run up to Christmas I was completing online orders, packing and sending
my products to shops, as well as preparing for Christmas markets. At other times of the year I’ll be designing, printing and updating my online shop.
I prefer to screen print mid-morning and early afternoons, as I like to use natural light from the windows to check the screens for blockages.

How long have you been printmaking?

Although I’ve had an interest in printmaking all of my adult life, I’ve only been seriously screen printing for about three years.

What inspires you?

So much inspires me it’s hard to know where to start. In terms of print, my earliest inspirations were from printed African textiles as I love the bold
patterns and colours. I’m also a fan of both mid century and 1970s graphics and textiles. Over the last couple of years I’ve been particularly inspired
by Scandinavian and Eastern European design, especially Eastern European matchbox labels.

What is your favourite printmaking product?

I don’t have one favourite print making product, I have three: hinge clamps, screens and squeegees.
This is because these three items combined, have enabled me to do something I love – screen printing at home!

What have you made that you are most proud of?

In the last few months it’s been my Nouveau Elephant rainbow coloured screen print. This is because I used six colours simultaneously whilst printing,
to create the gradient coloured rainbow effect. This was very difficult, made more so by the fact the print is quite small – only being A4. After printing,
I felt as though I’d really achieved something.

Where can we see your work? Where do you sell?

I have an online shop called Fran Wood Design. I
also sell at seasonal local markets, such as E17 Designers, based in Walthamstow. I have a selection of my prints and products in a few shops, including
the Vestry Museum in Walthamstow, Casper in Bristol and The Bowery in Leeds.

What will we be seeing from you next?

I’m very excited about 2018. Much of the past couple of years has been spent getting the screen printing to a level I’m happy with. Now I feel more confident,
my main intention is to create artwork inspired by new topics and to expand my screen printing onto paper. I can’t wait!

Do you have any advice for other printmakers and creatives?

When I was studying graphic design, the lead tutor on the course once said that to succeed in design, you have to be like ‘a dog with a bone’. I think
this is true of printmaking or anything creative. In order to get where you want, you have to keep going and not let anything put you off.

Catch up with Fran Wood below:

Online shop: www.franwooddesign.etsy.com

Twitter:
@franwooddesign

Instagram: @franwooddesign

Facebook: www.facebook.com/franwooddesign

Pinterest: www.pinterest.co.uk/franwood7

 

 

Handprinted Studio 2017

2017 has been a busy year in the Handprinted Studio! We’ve been visited by amazing tutors including Ian Phillips, Laura Boswell, Sue Brown, Tom Boulton,
Karin Moorhouse and Nick Morley, all teaching some of their signature techniques. We can’t wait to have these (and more!) tutors back next year

One of our most exciting ventures was the Tea Towel Print Exchange!
Lots of tea towels were printed and sent to us, swapped around and then a random selection of tea towels were posted back to each participant. We saw
some incredible prints and raised lots of money for WaterAid – thank you to everyone who took part!

We hosted our first Makers’ Market with great success at
the beginning of December where 20 local makers sold their handmade wares. We’ll be looking to host another of these events in 2018!

This year we’ve started our Open Access Thursdays and as a result have had the pleasure of seeing lots of wonderful artists use our studio space and printmaking
equipment.

All that and a packed schedule of workshops and classes –  it’s been a busy year! Next year’s workshop timetable is filling up so book yourself a space now while they’re still available.

Take a look below at a small collection of some of the wonderful work made at our Handprinted Workshops this year:

Book yourself into a Handprinted Workshop here! 

Meet the Maker – Lucie Summers

 

Hello there! My name is Lucie Summers, I’m a printmaker and I live on a farm with my husband and two boys near Newmarket in Suffolk. I mainly design and
print small panels of fabric for other crafters and makers to use in their work. I also create paper collages and make quilts for exhibitions.

 

Describe your printmaking process.

I have a few different ways of working, but generally I like to experiment with making marks with black ink – either using drawing pens or paintbrushes.
I scan the design into my computer and use Photoshop to move and clean things up, then I can print out the design in the correct size for making into
a screen. I currently make screens using a Thermofax machine, it’s quick and easy, but it’s expensive and now the screen mesh is being discontinued which is a bit of a disaster! I’m slightly burying my
head about the situation, but I really need to experiment with new ways of producing screens. At the moment, I’m thinking of using the screen fluid
and screen filler method.

 

How and where did you learn to print?

I learnt to screen print during my A level textile course. The class had to design and produce the costumes for the school production which that year was
‘Bugsy Malone’. My job was to design a motif for Dandy Dan’s gang, who was played by my then boyfriend Sam (now husband! Yes, we’ve really been together
that long!) I produced the yardage for waistcoats for the gang in different colours with a dollar sign motif, heavily influenced by the Pop Art movement.
I loved every minute of that project and once I was at art school in Norwich, I spent my days down in the basement happily printing lengths of cloth,
listening to Mark and Lard on Radio One (which has just aged me….!)

 

Why printmaking?

I love printmaking, and I also like making collages and quilts and I think all three practices help inform each other. It took me ages to realise this;
I thought I was flitting around not able to settle on one thing until recently I’ve realised that once I’ve made prints by whatever means onto paper
or fabric (either screen printing or monoprinting) I then use those papers to create collages…which in turn are useful exercises to help me design
interesting quilts…which then helps me create interesting textures for fabric design. And so it goes full circle.

 

Where do you work?

I work from a lovely large space in our farmhouse which was the old kitchen of my husband’s childhood home. It’s got light from 3 aspects so it’s a really
nice space to work in. I’m terrible at keeping it tidy though, there’s stuff everywhere! 

 

 

Describe a typical day in your studio.

My working day is typically quite short once I factor in the school run which is an hour round trip. I answer emails while eating my breakfast and then
I usually sneak in a bit of baking (I’m obsessed) I usually spend mid morning printing orders for my Etsy shop so they can be sent out in the afternoon.
Sometimes I work with other companies, so after lunch I work on the computer polishing up designs for them. The most recent collaboration has been
with a local company who make covers for mobile phones and I’m really excited to see the results. I like to go for a decent walk with the dog mid afternoon
to clear the cobwebs, and I take the post with me to pop into the village postbox. I walk across the fields which I find really inspiring so I like
to think of it as ‘design planning’ time. As soon as I’m home I’m out of the door to get the boys from school. I like to design in the evenings, so
I can sit and chat to my husband at the same time. I think when you work at home, you tend to fit jobs around your daily life. I don’t have a routine
as such, but I’ve found what works for me and fits in around my family.

How long have you been printmaking?

Apart from the work I did at school and art collage, I’ve been ‘properly’ designing and printing fabric panels for my Etsy shop since 2008 so next year is my 10 year printmaking anniversary!

What inspires you?

I’m inspired by everything I see. A crack in a pavement, the way the top of a tree meets the sky, an unintentional splatter of paint on a fence. I walk
everyday with the dog and am really conscious of the changing seasons, of the leaves and buds in hedgerows and the marks made in the soil by the farmer.

 

 

What is your favourite printmaking product?

My newest toy is always my favourite, and so at the moment, it’s my Gelli Plate.
I’m so in love with it! When I’ve got a few spare minutes I play with it some more, and it’s super easy to clean up. I made all of my Christmas
cards with it this year and they look really good. I’m hoping for the really big one for Christmas, I’ve dropped enough hints!

 

 

What have you made that you are most proud of?

Many years ago, I made a quilt which I called ‘Portholes’ using lots of my screen printed fabrics. It was created using a reverse appliqué technique
that hadn’t really been used in quiltmaking before and it got a huge amount of attention. It’s really funny, because the technique itself is now
called portholes, and I see lots of quilts on Instagram where it’s described as being made ‘using the porthole technique’. Portholes won first
prize at The Festival of Quilts in Birmingham and it sort of ‘launched’ me into that world. I’m pretty certain that quilt helped me secure the
design gig with Moda Fabrics (I designed two collections for them) and also helped bring me to the attention of the folks at F&W Media who
asked me to write a book, which is called ‘Quilt Improv’. When I look at the quilt now, I can’t believe I actually made it, so it’s definitely
my proudest creation.

 

 

Where can we see your work? Where do you sell?

I sell online, in my Etsy shop, which is called Summersville. (summersville.etsy.com)
As well as fabric panels that are sold to other creatives, I’ve a selection of ready made items such as fabric covered sketchbooks, notebooks,
purses, pouches and phone covers!

 

 

What will we be seeing from you next?

I’m hoping to have the mobile phone covers in my hot little hands as soon as possible, and I’ve also designed a wallpaper for an Italian company that’s
going to be launched in January in Paris at Maison et Objet which is super exciting!

Do you have any advice for other printmakers and creatives?

Experiment, play, make stuff. Do it again, and again and again. Show it on social media, gain feedback and make some more. Keep your eyes open and
be inspired by everything you see.

 

 

I am @lusummers on both Instagram and Twitter and my Etsy shop is summersville.etsy.com

 

 

 

 

 

 

Easy Block Printed Christmas Wrapping Paper

With our Christmas Makers’ Market and our Christmas Fab Friday Workshop on last week, we’ve been getting in the festive spirit here in the Handprinted
Studio. Our Fab Friday workshoppers printed sheets of wrapping paper that would add charm to any present. Here is a quick design we whipped up for
the occasion that can easily be made for your gifts this year!

Using one sheet of Easy Carve,
we carved four bauble shapes. First, the designs were drawn in permanent marker on the Easy Carve. We then used the V tool from the Japanese Cutting Tool Set to carve around the outside of each bauble as well as to add some patter to the surface of each shape.
Using a scalpel, it is easy to cut the shapes out, following the line of your V gouge all around the edges. For more pictures showing a similar method
of carving, see our Block Printing on Fabric blog post

Cranfield Water Based Block Printing Inks were perfect for this project. The inks dry quickly on the paper and the colours are bright and strong. This magenta ink was used straight out of the
pot for our first colour. Only get out a little ink onto your plate at a time as water based inks can dry quickly. You can add a little extender or
drying retarder if you like. Roll out a small square of ink in a thin suede-textured layer.

Draw a line along the width of our blank wrapping paper on which the baubles will hang (see below picture).  Choose your first bauble and roll
evenly with your first colour. 

Place your bauble face down on your paper and press firmly all over the back. 

Continue to scatter your pink baubles along the line. 

When you have printed enough of the first bauble, ink up your second bauble using your second colour. This colour is Cyan mixed with Magenta. If your inks
have gone a little dry on your plate, liven them up with a little extender. 

Continue to print your baubles on your wrapping paper in this way, alternating colours and patterns. Sticking to one colour for each bauble prevents faffing
around with cleaning. 

When you’re finished, simply clean up your inks with soap and water and get wrapping!

To make this wrapping paper you will need:

CHRISTMAS MAKERS’ MARKET

We are very excited to be hosting our very first Christmas Makers’ Market! We’ve got a brilliant selection of makers selling a huge variety of handmade
goods including framed artworks, glass, homewares, clothing, dolls, stationery, cards and Christmas decorations. The Makers’ Market will be open on
Friday 1st December from 6-8.30pm and on Saturday 2nd from 10.30-5pm. Entrance is free – please pop in. There will also be live printmaking demonstrations
to see! Here’s a sneak peak at who will be there: 

 

Anna’s Drawing Room – Anna makes beautiful nature-inspired prints and cards.

More about Anna’s Drawing Room

 

Catherine Tiley – Cathy screen prints unique tote bags using paper stencils and will also be selling cards.

Moe about Catherine Tiley

 

Roly Designs – Georgina makes beautiful patchwork tree decorations, Christmas stockings and cushions as well as pen and watercolour cards.

More about Roly Designs

 

Lesley Ormrod – Photographer and printmaker Lesley will be bringing cards, calendars and both framed and unframed prints.

More about Lesley Ormrod

 

Tom Boulton – Letterpress printer & typographic designer Tom Boulton will be bringing a variety of hand printed letterpress cards and stationery.

More about Tom Boulton 

 

We are Mountain – Sophie’s unique and vibrant prints, tea towels, cards and magnets will be available for sale!

More about we are mountain

 

Geraldine Leal – Artist/sculptor Geraldine will be selling framed photographs and prints as well as pom poms and small sculptures. 

More about Geraldine

 

Sue England – Sue’s uniquely printed sketchbooks will be available for sale as well as a selections of screen and Japanese woodblock prints.

More about Sue England

 

Alison Stewart – Alison’s beautiful work features local maps transcribed into textiles. 

More about Alison Stewart

 

Barbara Lammas – Barbara will be selling transfer printed cards and scarves using natural forms. 

 

Claire Fenner – Stock up on your Christmas wrapping essentials with Claire’s cards and present tags.

 

Erin Tyrrell – Browse through Erin’s cards, prints, crochet and handmade ornaments for the perfect gift.

 

Holly Newnham – Holly will have a selection of hand printed lampshades, cushions, cards, prints and gifts available for sale. 

More about Holly Newnham

 

Lin Crompton – Lin’s bringing along her amazing handmade dolls, scarves and Japanese knot bags.

 

Pomilly –  Millie makes a range of t-shirts and other clothing illustrated with embroidery and crochet as well as patches and brooches
often with a humorous gaze on the human body.

More about Pomilly

 

Artworks – Nancy from Artworks creates beautiful fused glass Christmas decorations, plates and bowls, framed art and decorative pieces.

 

Helen Simmans –  Helen will be selling a selection of beautiful glass coasters place mats and key-rings.

 

Mitmakes – Mitka hand-makes unique textile and leather pieces to wear and for the home with original fabric designs. 

More about Mitmakes

Please come along to our Christmas Makers’ Market this Friday 1st December from 6 – 8.30pm and Saturday 2nd December from 10.30am – 5pm at Handprinted,
22 Arun Business Park, Shripney Road, Bognor Regis, PO22 9SX. 

See you there!